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圆瓶类产品贴标机 圆桶贴标机 瓶装贴标机 隋

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  • 所在地区:

    上海 奉贤区

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基本参数
  • 类型

    不干胶贴标机

  • 适用对象

    护发用品,鲜奶,酸奶,矿泉水/纯净水,酒类饮料,碳酸饮料,果汁饮料,金属,服装,药水,清洁/洗涤用品,油类,化妆品类,护肤品类

  • 售后服务

    保修一年

  • 贴标精度

    1~60(mm)

  • 适用行业

    餐饮,五金/机械,礼品/工艺品,医药,烟酒,玩具,食品,日化,家纺,化工,服装

  • 自动化程度

    半自动

  • 包装类型

    杯,带,袋,碟,管,罐,盒,瓶,桶,碗,箱,软管,泡沫,易拉罐

  • 品牌

    galileo/伽利略

  • 型号

    GLT

  • 加工定制

  • 包装材质

    薄膜,塑料,铝箔,纸类,玻璃,陶瓷,软管,金属,复合材料,竹、木

详细说明

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 Fragment
Welcome to consult
...ception, beforehand, that the spot where the

Charles Dickens ElecBook Classics


A Tale of Two Cities

only visitor they were aware of had stood, was not yet empty.

“I want,” said Defarge, who had not removed his gaze from the
shoemaker, “to let in a little more light here. You can bear a little
more?”

The shoemaker stopped his work; looked with a vacant air of
listening, at the floor on one side of him; then similarly, at the floor
on the other side of him; then, upward at the speaker.

“What did you say?”

“You can bear a little more light?”

“I must bear it, if you let it in.” (Laying the palest shadow of a
stress upon the second word.) The opened half-door was opened a
little further, and secured at that angle for the time. A broad ray of
light fell into the garret, and showed the workman with an
unfinished shoe upon his lap, pausing in his labour. His few
common tools and various scraps of leather were at his feet and on
his bench. He had a white beard, raggedly cut, but not very long, a
hollow face, and exceedingly bright eyes. The hollowness and
thinness of his face would have caused them to look large, under
his yet dark eyebrows and his confused white hair, though they
had been really otherwise; but, they were naturally large, and
looked unnaturally so. His yellow rags of shirt lay open at the
throat, and showed his body to be withered and worn. He, and his
old canvas frock, and his loose stockings, and all his poor tatters of
clothes, had, in a long seclusion from direct light and air, faded
down to such a dull uniformity of parchment-yellow, that it would
have been hard to say which was which.

He had put up a hand between his eyes and the light, and the
very bones of it seemed transparent. So he sat, with a steadfastly
vacant gaze, pausing in his work. He never looked at the figure

Charles Dickens ElecBook Classics


A Tale of Two Cities

before him, without first looking down on this side of himself, then
on that, as if he had lost the habit of associating place with sound;
he never spoke, without first wandering in this manner, and
forgetting to speak.

“Are you going to finish that pair of shoes today?” asked
Defarge, motioning to Mr. Lorry to come forward.

“What did you say?”

“Do you mean to finish that pair of shoes today?”

“I can’t say that I mean to. I suppose so. I don’t know.”

But, the question reminded him of his work, and he bent over it
again.

Mr. Lorry came silently forward, leaving the daughter by the
door. When he had stood, for a minute or two, by the side of
Defarge, the shoemaker looked up. He showed no surprise at
seeing another figure, but the unsteady fingers of one of his hands
strayed to his lips as he looked at it (his lips and his nails were of
the same pale lead-colour), and then the hand dropped to his
work, and he once more bent over the shoe. The look and the
action had occupied but an instant.

“You have a visitor, you see,” said Monsieur Defarge.

“What did you say?”

“Here is a visitor.”

The shoemaker looked up as before, but without removing a
hand from his work.

“Come!” said Defarge. “Here is monsieur, who knows a well-
made shoe when he sees one. Show him that shoe you are working
at. Take it, monsieur.”

Mr. Lorry took it in his hand.

“Tell monsieur what kind of shoe it is, and the maker’s name.”

Charles Dickens ElecBook Classics


A Tale of Two Cities

There was a longer pause than usual, before the shoemaker
replied: “I forget what it was you asked me. What did you say?”

“I said, couldn’t you describe the kind of shoe, for monsieur’s
information?”

“It is a lady’s shoe. It is a young lady’s walking-shoe. It is in the
present mode. I never saw the mode
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